Bringing together an exciting contemporary collection of art. Located in the stunning Te Awanga, Hawkeโ€™s Bay

Recent Arrivals

Adobe Adobe
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Adobe
$4,250.00

BRIDGET BIDWILL

Medium: acrylic on paper

Year: 2024

Size:

Artwork is framed.

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Untitled Untitled
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Untitled
$6,500.00

BRIDGET BIDWILL

Medium: oil on canvas (+ alkyd + charcoal)

Year: 2004

Size:

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Quiet Alignment Quiet Alignment
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Quiet Alignment
$5,500.00

ROBYN FLEET

Medium: oil on canvas

Year: 2026

Size: 1150mm X 1820mm

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SHOP BY ARTIST (Copy)

SHOP BY ARTIST

SHOP BY CATEGORY (Copy)

SHOP BY CATEGORY

โ€œDiscover your love affair with art.โ€

โ€” Annabel Sinclair-Thomson

Paper-Works Gallery is proud to offer My ART interest-free finance. Take your artwork home now and pay over 9 interest-free monthly instalments (subject to approval). It's an easy way to begin or grow your collection.

Own the art you love today.

Own it today

Follow our journey.

๐—ฆ๐˜„๐—ถ๐—ฝ๐—ฒ ๐—ฟ๐—ถ๐—ด๐—ต๐˜ ๐Ÿ‘‰โžก๏ธโค๏ธ What happens when a Gavin Chilcott pattern leaves the canvas? Introducing three exclusive lampshades featuring original Gavin Chilcott designs. From canvas to interior design to home, this art really does light up the ro
"What do you see at sunset in the sky?" When writer Steve Braunias interviewed artist @paul__artigan recently, Hartigan had a different answer to most. "Neon," he replies. For more than 50 years, Paul Hartigan has been captiva
๐—œ๐—–๐—ฌ๐— ๐—œ: One of my favourite things? Seeing artworks find their place in a home. Featured in @nzhouseandgarden magazine, this beautiful Auckland home of @_______milly_ brings together a considered collection of works, including pieces sourced fro
Photographer, writer, operator of many levers, @shattkys is less interested in the obvious shot and more in what sits just off to the edge of it. You’ll recognise his eye from pages of @baybuzzhb where image and text work together, each sharpen
๐—ช๐—ผ๐—ฟ๐—ฑ๐˜€ ๐˜๐—ต๐—ฎ๐˜ ๐—ฏ๐—ฒ๐—ฐ๐—ผ๐—บ๐—ฒ ๐˜„๐—ผ๐—ฟ๐—น๐—ฑ๐˜€ John Pule's practice sits in that liminal space between language and image. His titles read like fragments of verse, and the works follow suit: layered, symbolic, slightly unsteady in the best way. Each
Eliza Glyn paints places that feel recalled rather than seen. Forms are softened, edges dissolved, and everything is suspended in a kind of atmospheric pause. The result is something quietly immersive: measured, atmospheric, held together by restra
Introducing ๐˜š๐˜บ๐˜ฏ๐˜ค๐˜ฉ๐˜ณ๐˜ฐ ๐˜š๐˜บ๐˜ด๐˜ต๐˜ฆ๐˜ฎ๐˜ด by @rebeccaandflorence, now on the walls. A series where floral structures and the body begin to operate as one: held in a state of near-balance, where florals are not decorative but directive. @florencecha
A gentle instruction: don’t trust your first impression. Lisa Feyen’s Flock rewards a second look... preferably through 3D glasses. Through layered screenprint and subtle spatial disruption, she constructs a work that resists a single r