Our Christmas Show is the perfect opportunity to get all your Christmas shopping done in one fell swoop! Choose from masses of artwork with prices ranging from $100 to $400. Join us upstairs at 27 Tennyson Street in our gallery space for the preview on Friday the 27th of November at 5pm….
Read MorePaper-Works Gallery are proudly exhibiting Martin Poppelwell’s latest suite of works from September 5th to September 26th….
Read MoreNigel Buxton: It is difficult to paint from a grounded meaning, and for me the search has been intuitive. Both my father and I were deeply influenced by James K Baxter (1926-1972).The experience of being read poetry ‘that handled ideas like bombs’ was a kind of conversion….
Read MoreDr. Christina Lanzl: When conceptual and environmental artist Konstantin Dimopoulos moved to Melbourne, Australia, from New Zealand, he was struck by the abundance of trees in his new surroundings. With a population of 4.25 million, Melbourne boasts 70,000 trees, which cover 20 percent of the city—and city planners hope to increase that ratio to 40 percent. Besides being a beautiful sight, trees have an increasingly important role in this age of global warming; they trade carbon dioxide for oxygen, provide welcome shade, and bring nature into the city. Yet primordial forests globally have been reduced to just 30 percent of their original area, robbing the earth of these positive environmental impacts….
Read MoreFiona Gruber & Michael Cathcart: Konstantin Dimopoulos is an artist who is passionate about global issues. His previous works have brought attention to various problems, from homelessness to deforestation, and he is currently planning to take on the British Government over its refusal to hand back the Parthenon marbles. Dimopoulos is a firm believer that art can change the world. I have long been fascinated with colour and light. These are part of my Greek Orthodox psyche, the enriched, vivid icons that line the inside of Greek churches counterbalanced with the humility of the home in which I was raised….
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